Орест Голубець • Українське мистецво XX століття

ЗМІСТ • CONTENTS ÏÅÐÅÄÌÎÂÀ FOREWORD ............................................................................................................ 5 ÐÎÇÄ²Ë 1. ÌÈÑÒÅÖÒÂÎ ÏÅÐØί ÒÐÅÒÈÍÈ ÕÕ ÑÒÎ˲ÒÒß PART 1. ART OF THE FIRST THIRD OF THE XXth CENTURY ....................... 11 1.1. Â³ä ³ìïðåñ³îí³çìó äî àâàíãàðäó. From impressionism to avant-garde ................................................... 11 1.2. Ôåíîìåí óêðà¿íñüêîãî àâàíãàðäó íà òë³ ³ñòîðè÷íèõ ïîä³é. The phenomenon of Ukrainian avantgarde against the background of historical events .................................................... 20 1.3. Óêðà¿íñüêà àêàäåì³ÿ ìèñòåöòâ ³ ìèñòåöüê³ îá’ºäíàííÿ. Ukrainian academy of arts and artistic groups................................... 30 1.4. Äîëÿ óêðà¿íñüêèõ ãåí³¿â: Î. Àðõèïåíêî ³ Ì. Áîé÷óê. Fate of Ukrainian geniuses: O. Arhypenko and M. Boichuk .............. 50 ÐÎÇÄ²Ë 2. ÒÎÒÀ˲ÒÀÐÍÅ ÌÈÑÒÅÖÒÂÎ ² ÍÎÍÊÎÍÔÎÐ̲ÇÌ PART 2. TOTALITARIAN ART AND NONCONFORMISM ............................... 63 2.1. Ìèñòåöòâî ³ òîòàë³òàðèçì. Art and totalitarianism......................................................................... 63 2.2. ×àñîâèé êàòàêë³çì. Time cataclysm ..................................................................................... 74 2.3. ²äåîëîã³÷í³ ïîñòóëàòè îô³ö³éíîãî ìèñòåöòâà. Ideological postulates of official art..................................................... 94 2.4. «Â³äëèãà» 1960-õ ³ íîíêîíôîðì³ñòè. «The Thaw» of the 1960s and nonconformists................................. 106 ÐÎÇÄ²Ë 3. ÑÂÎÁÎÄÀ ÒÂÎÐ×ÎÑÒ² ² ÏÐÈÌÀÐÈÌÈÍÓËÎÃÎ PART 3. THE FREEDOMOF CREATIVITY AND SHADOWS OF THE PAST .... 137 3.1. «Íîâà êîí’þíêòóðà» ³ ïîâåðíåííÿ äî àâàíãàðäó. «New conjuncture» and return to avantgarde .................................. 137 3.2. Åêñïàíñ³ÿ ïîñòìîäåðí³çìó. Expansion of postmodernism............................................................ 148 3.3. Àêòóàëüí³ ïèòàííÿ ñüîãîäåííÿ. Topical problems of nowadays........................................................... 170 ÂÈÑÍÎÂÊÈ. CONCLUSIONS................................................................................................... 178